24 bands and filter types
The curve on screen is computed from the same filter coefficients the audio runs through. It shows what the filters do, not an approximation of it.
- Up to 24 freely typed bands, each host-automatable
- Bells, shelves, cuts, notch and Tilt band types
- Symmetric constant-Q: a cut mirrors the boost exactly
Compressor in every band
Every band has a compressor. The band's own frequency and Q are its detector, so it acts when that range gets loud and rests otherwise. FULL shows the whole set: threshold, ratio, knee, attack and release.
- Threshold, ratio (to brickwall), knee, attack, release per band
- A per-band meter: level, threshold marker and live gain reduction
- Internal or external sidechain, per band
Frequency landmarks
Spectrum landmarks marks the frequencies that keep standing out over time, the steady peaks rather than the loud moments. A marker can be a problem or the character of the instrument; the analyzer does not know which. Click a marker to read its frequency and note and to hear that frequency alone, double-click to drop a band there, drag to sweep.
- Steady peaks emphasised, drifting ones fade away
- Click a marker for its frequency and note, and to hear it
- Double-click to drop a band at that frequency
- Hover for a quick tooltip, drag to sweep
- The markers change nothing by themselves
Auto Gain
Auto Gain compensates the gain of the curve, including what the dynamic bands add or remove. It is computed from the settings, not measured, so it does not pump. Bypass then compares the tone at the same loudness.
- Auto Gain follows the dynamics, with no detector of its own
- Gain Scale: 0 to 200 %, the curve follows in real time
- Input and output trim with stereo metering
- Bypass for A/B at matched level
