Draw it, hear it
A curve that never lies
The drawn response and the processed audio share the exact same filter maths. Move a handle and the sound moves with it, to the decibel.
- Up to 24 freely typed bands
- Bells, shelves, low/high cuts, notch and a true Tilt
- Symmetric constant-Q: a cut mirrors the boost exactly
- Drag values or type them in, kHz and all
A compressor in every band
Control that only acts when needed
Static EQ dulls the whole track. A dynamic band only engages over its threshold, and it listens to exactly the frequency and Q you drew, so it fixes the problem and leaves the rest of the performance alone. Reveal FULL and it is a complete compressor on that band.
- Threshold, ratio (to brickwall), knee, attack, release per band
- A per-band meter: level, threshold marker and live gain reduction
- Gain is the range; absolute threshold, decoupled
- Internal or external sidechain, per band
Stay at the right level
Spectrum changes, loudness doesn't
Auto Gain matches the output for an honest bypass, and it folds in what the dynamic bands are doing, deterministically, so a dynamic move changes the tone without changing the loudness. You judge tone, not level.
- Auto Gain follows the dynamics, with no detector of its own
- Gain Scale: 0 to 200 %, the curve follows in real time
- Input and output trim with stereo metering
- True bypass for an instant A/B
